Featuring a low price of entry and above average playability, this guitar was the ideal weapon in the war on teenage boredom. Some two decades before these gits were considered "collectable," this example came into my life wearing Grover tuning pegs, a brass nut, and a Dimarzio X2N pickup in the bridge and a Super II in the neck. In other words, massive ass kicking capability without the financial risk associated with domestic instruments. Artistic
Unfortunately, it was "lost" in Minneapolis at 7th Street Entry in 1987. On tour with the Circle Jerks, the 59'er never made it back into the Necros van that night. Although the idea of this axe being haphazardly strummed by some 15-year old in a musty basement somewhere trying to play along with the Heartbreakers' L.A.M.F. LP is appealing, I'd rather have it back. In the slim chance this missive finds it's way to someone who knows of its whereabouts, do tell. The story alone will be worth the wait.
PS: They are called "lawsuit" models because Gibson sued-and won-to force Ibanez to quit using the "mustache" or "open book" headstock shape.
When lost, this Ibanez was in a generic case.
Circle Jerks, Necros, First Avenue, 7th Street Entry, Negative Approach, Punk, Touch and Go, Gibson, Fender, stolen guitar