Descent into The Maelstrom: Radio Birdman Documentary Nearing Completion

Born in Ann Arbor, Deniz Tek grew up in the wake of the region's prolific underground music scene  soaking up the inescapable sonic influence the Stooges, MC5, and the rest of the Rust Belt Guitar Army. So when he split town for Australia in 1972, it didn't take long for him to apply the sound and attitude of his formative years to a musical effort down under. Although Tek would ultimately be associated with numerous combos including TV Jones and New Race (with Ron Asheton from the Stooges and Dennis Thompson of the MC5), it's Radio Birdman where he made his bones. 

Considering glut of documentaries currently clogging up viewersphere, we're hoping this one finds a way to stand on its own legs and drops some genuine knowledge.
Deniz Tek's website
The Radio Birdman Story, #deniztek, #radiobirdman

The Crowd Cheered a Pagan Tumultuous Roar.

Harley, Harley-Davidson, chariot racing, Australia

Please Give.

BloodDrive, gore, Syfy, official, trailer, grindhouse, coming to TV, June 14,

Attention Music Lovers

#Toledo, #8-Track, Vanilla Fudge, Al Martino, Buck Owens, Wow and Flutter
More on Lasalle's Department Store Toledo, Ohio

Merry Christmas Bitches!

Have a Funk-Filled 4th!

Sussudio: 21 Jump Street, Toledo Style

In the 1983-84 school year, Toledo Police officer Phil Toney went undercover in the Toledo Public School system as part of an effort to crack down on  a drug ring that had been operating freely within the district. A pretty common crime-fighting tactic at the time, Toney's tenure is notable for one potentially disastrous slip: When it came time to build his cover, he, either by Freudian slip or sheer absent-mindedness, chose to go with the name "Phil Collins." (You can read the original story at 13ABC.) While the then 31-year old Toney's recent admission at least partially explains the difficulties toke! and his pals had scoring quality product during that time, the real story is how his "Phil Collins" alias escaped the scrutiny of both his TPD associates and the NARC-dar of the local High School drug gentry. "[It] Never really dawned on me until I first told somebody my name," remembers Toney, "and they said, 'Oh, yeah. Like the drummer in Genesis!"  Stoners-sometimes it seems the only thing they can do properly is screw themselves. 

My name? Robert. Robert Marley, nudge wink.

Actual names of dealers I've met and/or T-shirts I've seen: Dr. Feelgood, The Snowman, Queen of Green, Clown of Brown, Mr. Green, Boo Boo, Snitches are a dieing(sic) breed.

Also: Phill Collins as "Phil the Shill" on TV's hit drug drama, Miami Vice.

Maumee Rock City

Some say you gotta lose your mind there.
 #Necros, #Henry and June, #Soledad Brothers,  #Universe Crew, #McDonalds, #UpChuck, #Riot Squad, #Stain,

"They Would Pick Him Up When He Fell." Rolling Stones Visit Gibson Guitar Factory in Kalamazoo, Michigan, 1975

Photo Courtesy of WMU Archives and Regional History Collections

Keith Richards and Ron Wood tour the Gibson guitar factory July of 1975.
Like most of the small to medium sized rust belt burgs located within the inescapable gravitational pull of Detroit, auto manufacturing was a driving force in the economy of Kalamazoo, Michigan. (Until the mid-1990s, K-Zoo was home to both the Checker Motors Corporation and GM's two-million sq. foot Fisher Body stamping plant.) But, in a textbook example of the odd dichotomy and attitude that defined the rust belt, Kalamazoo was also home to Gibson Guitar Factory--i.e., "yeah, wood or metal, strings or wheels, it don't matter much to us, we MAKE shit here." Founded as the Gibson Mandolin-Guitar Mfg Co. Ltd in the early 20th century, Gibson called 225 Parsons St. home until the move of its operations to Nashville was complete in 1984. A decade earlier, the Stones came to visit.

Photo Courtesy of WMU Archives and Regional History Collections

Gibson was owned by Norlin in '75, and in retrospect quality was at an all-time low. Ron Wood was still a relatively new Stone, and the band was slated to play COBO Hall on July 27 and 28. Keef was still living in 24/7 party mode.

Photo Courtesy of WMU Archives and Regional History Collections

Jump on over to MLive for the rest of the photos and the complete story.
As for the old factory on Parsons St.? It's still humming, turning out some of the finest quality instruments available today as the Heritage Guitar company.
(Photos Courtesy of WMU Archives and Regional History Collections)

Burger Thang Detroit, May 29 - June 25

Neue Haus Detroit presents Burger Thang, a show of recent works by Matt O’Brien, Chris Moore, and Greg Bokor. Official Release: Around 1982 a small group of kids from Mt. Clemens, Ann Arbor, Hudsonville, Bloomfield Hills, East Lansing and Maumee, Ohio all would meet at a ‘hole in the wall’ around the corner of Cass Avenue and Willis. That ‘hole in the wall’ was called the Freezer Theatre. They played in bands together and hung out at the Burger King on Cass Avenue. Out of this petri dish came the bands; Negative Approach, The Necros, The Meatmen, and Bored Youth, to name a few.

Three of that small group, Matt O’Brien, Chris Moore and Greg Bokor have since focused their talents on making art amongst other ventures. This show reunites them and the city that gave them much of their inspiration during that time.

Burger Thang runs from May 29-June 25 at Spread Art @detroit contemporary on 5141 Rosa Parks, Detroit.

Public Opening and Artist Talk,Thursday, May 29 at 7pm with Matt O’Brien, Chris Moore, and Greg Bokor. Burgers and drinks will be available.

Admission: Free Donation of $5 is suggested.

Contact neuehausdetroit@gmail.com for more information or visit the tumblr http://neuehausdetroit.tumblr.com/.
http://gregbokor.com/ 
http://mtobrien.com/ 
http://www.mooresong.com/ 

Neue Haus Detroit is a roving art, music, and artisan exhibition. Augusta Morrison is the founder and curator. NHD focuses on emerging artists and creating experiential happenings in alternative art spaces.

Since 1927 – Green Lantern Restaurant

Click on image to view in fabulous PDGB Expandomatic™ glory.

"Hamburgs and F-Fries." Owned and operated by the same family since 1927,  killer graphics, and choice vittles–what else do you need to know? The Green Lantern is located at 509 Broadway Street, Toledo, Ohio.

#11 With an Anvil: That Time The Necros Outsold U2, Michael Jackson, and Fun Boy Three #tbt

Recently unearthed RockPool Chart from 1983

Back when people still bought records, several organizations made a viable business out of reporting the sales numbers. One of them was Rockpool, an agency who devoted at least part of its energies to tracking  the latest trends in the independent and alternative scenes. It's no secret that these results were often less than clinical, and the numbers could easily be manipulated to reflect the the tastes of the store or distributor employee tasked tabulating the results. Whatever the case, scoring well on both coasts made a nice addition to the press kit.

This example, dated July 24, 1983, came our way via John Brannon (Negative Approach, Laughing Hyenas, Easy Action) and Larissa Stolarchuk / Strickland (L7), who found it on the desk of Detroit  promoter Vince Bannon at the original Clutch Cargo's, Located at 64 W. Elizabeth Street in downtown Detroit. John and Larissa where living in the building at the time, and promptly put it in the hands of  Corey Rusk, head honcho of Touch and Go Records and former Necros bassist.

This Machine Kills Teenage Boredom: Where Is It Now?

Ibanez Deluxe 59'er "Lawsuit" Les Paul Copy
Featuring a low price of entry and above average playability, this guitar was the ideal weapon in the war on teenage boredom. Some two decades before these gits were considered "collectable," this example came into my life wearing Grover tuning pegs, a brass nut, and a Dimarzio X2N pickup in the bridge and a Super II in the neck. In other words, massive ass kicking capability without the financial risk associated with domestic instruments. Artistic expression frustration soon revealed it possessed the almost supernatural ability to remain in near perfect tune, even after repeated aerial maneuvers and the associated hard landings. I had Lemmy sign it in gold paint marker in '85, but that had started to fade by the time it disappeared. It may or may not of had an "ULTRA 94" sticker between the pickups.

Unfortunately, it was "lost" in Minneapolis at 7th Street Entry in 1987. On tour with the Circle Jerks, the 59'er never made it back into the Necros van that night. Although the idea of this axe being haphazardly strummed by some 15-year old in a musty basement somewhere trying to play along with the Heartbreakers' L.A.M.F. LP is appealing, I'd rather have it back. In the slim chance this missive finds it's way to someone who knows of its whereabouts, do tell. The story alone will be worth the wait.

PS: They are called "lawsuit" models because Gibson sued-and won-to force Ibanez to quit using the "mustache" or "open book" headstock shape.
When lost, this Ibanez was in a generic case.
Circle Jerks, Necros, First Avenue, 7th Street Entry, Negative Approach, Punk, Touch and Go, Gibson, Fender, stolen guitar