Abandoned Detroit - The City of Neglect

Still hungry for more Detroit ruin porn? Follow along as Bob, aka Detroit Unseen, takes you on a journey documenting the spectacular ruins of Detroit and his personal recovery from drug addiction.
There's no shortage of web sites and short films documenting the rise and fall and current revival of Detroit, but the city's legacy is vast and star-crossed enough to support yet another take on the subject. It could benefit from some tighter edits, but there's a pandemic on and it's not exactly like most of us are pressed for time.

From the filmmaker: 

With Detroit you take the good with the bad, recognize the good as it comes and preserve the good that has come before. Many that enter the City of Detroit can sense the urgency of change and the spirit of reinvention. We certainly understand this, and the photos represent what we have seen along the way. The Flag of Detroit contains the two Latin slogans “Speramus Meliora” and “Resurget Cineribus” meaning “We hope for better things” and “It will rise from the ashes.” The prophetic phrases originally created in reference to the great fire of 1805, ring true more now than ever. We take these slogans to heart everyday as we go out and explore our great city.

The Legendary Cobo

The Legendary Cobo from Douglas Akers on Vimeo.

Just as the highly anticipated Grande Ballroom doc "Louder Than  Love" has (finally!) started appearing on the film festival circuit, the makers of an equally exciting and long-brewing Motor City-centric project have turned to kickstarter in search of funds to turn their vision into reality. Picking up where the the Grande, Cinderella, Eastown, and other legendary Detroit concert venues left off, Cobo Hall not only supplied the ambiance for live albums from Kiss, Bob Seger, Hank Williams Jr., and more, but also provided the stage for Martin Luther King to recite his "I Had a Dream" speech months before the Washington D.C. version. But that barely scratches the surface of the Cobo story. For complete details, check out the official website here: The Legendary Cobo

Faces, Cobo Hall, September 6, 1976

"We used to make Cobo Hall feel intimate. It has a really good sound in there. That was the epitome of our playing in Detroit; it never got better than that. There was just something magic about that place." IAN MCLAGAN

Three Nights, Six Bands, Seven Bucks.

I Got Your Toledo Rock Party Weekend Right Here:

Friday:  The Bob Seger System & Electric Sideshow.
Saturday: MC5 & Orphic
Sunday: The Rationals and Orphic

State Theater, 2476 Collingwood Blvd. Toledo, Ohio

Pass the word.

I ♥ New York, But I Fuckin' Love Detroit!

 Premiering 8/30/10 9/8/10 on Palladiumboots.com
Check it:

 There's a million ways this could suck. Let's hope it doesn't.

Toledo Pop Festival-This Week In Toledo, Ohio, 1969:

Add caption

So Happy Together!  
Sunday, September 14th 1969
Four short weeks after Jimi Hendrix closed the generation-defining Woodstock Festival with a soul-stirring, whammy-bar laden performance of the Star Bangled Banner, Toledo fans got a homegrown opportunity to air out their freak flags courtesy of the daylong Toledo Pop Festival.Culled primarily from the S.E. Michigan/N.W. Ohio axis of high-energy rock'n'roll, the day's slightly disparate line-up featured a virtual who's who of Rust Belt axe-slingers: Brothers Wayne Kramer and the late-great Fred "Sonic" Smith from the MC5; Ted Nugent from the Amboy Dukes; The Frost's Dick Wagner, who would later go on to co-write, record, and tour extensively with the likes of Alice Cooper and Lou Reed, among others; Ron Koss of Savage Grace; Gary Quackenbush of SRC; Steve Correll of The Rationals; and, the soon-to-be-known-as “Leather Tuscadero” in the persona of one Miss Suzi Quatro, performing bass, vocal and jail-bait duties for the Pleasure Seekers, a band consisting chiefly of her brothers and sisters.

PDGB wonders if the concert promoter’s somewhat curious decision to place feel-good hit-makers The Turtles atop a bill filled largely with outfits known for their aggressive, potentially incendiary histrionics was -at least in part- a conscious decision intended to serve as a musical blow-off valve, The Turtles cheery melodies and infectious lyrics helping to ease the attendees transition from frenzied jam kick-outing to the parking lot slough that awaited them. Then again, maybe they just needed a big name to sell some tickets.

Either way, we’re sure the inevitable twenty minute-plus live rendition of “Happy Together” didn’t go unnoticed, reshuffling the synapses of numerous first-time psychedelic users so completely that even now, some forty-years later, the simple act of hearing said melody errantly whistled by passerby is capable of triggering intense psychotic episodes of such severity that even immediate medical attention followed by years of therapy can't guarantee the return of normal brain activity. Way to go Boomers!
Held at Toledo Raceway Park (which we assume is the Horse racing facility of approximately the same name that still stands in North Toledo today) the $5.00 admission ($4.25 Advance) was an unbelievable bargain, even adjusted for inflation.
If you attended the Toledo Pop Festival and have a recollection you'd like to share about it -or any like event/concert/happening in the N.W. Ohio/S.W. Michigan region- click that comment button and tell it!

Detroit's Grande Ballroom: It done kicked 'em out!

Location, Location, Location.
Unlike San Francisco's Fillmore, which successfully parlayed it's late-sixties, hippie-dippy pedigree into a multi-million dollar franchise under the crafty tutelage of Bill Graham, Detroit's Grande Ballroom was virtually abandoned and left to rot, not unlike Detroit itself.

With the official release of the widely bootlegged Future/Now films documentary, MC5- A True Testimonial still(!) in limbo, it's of particular importance that Louder than Love, the Story of the Grande Ballroom, get completed and released in a timely manner, lest the rest of the world continue under the false impression that California and New York held exclusives on all of the music, revolution, and counter-culture mayhem that went down in the 60's.

The Grande's legacy may have been resurrected in the mid-80's by a new generation of fans hungry for the pure, pre-corporate, high-energy rock music that the venue fostered during its short influential reign, but the building itself has not fared nearly as well; numerous online sources offer photographic evidence of the building's structural decline, and practitioners of the urban exploration movement have produced several video accounts of exposing the decay behind the Grande's exterior walls.

Fun Fact: The debut performance of The Who's Tommy took place at the Grande.
Sour Grapes: Machine Gun Thompson of the MC5 apparently has a bone to pick with Iggy and/or the Stooges.

Even a partial listing of Grande Ballroom Alumni reveals the sonically diverse zeitgeist of the Grande's brief tenure:

The Amboy Dukes, The Animals, Jeff Beck Group, Chuck Berry, Big Brother and the Holding Company, Blood Sweat and Tears, Blue Oyster Cult, Bonzo Dog Band, Brownsville Station, Butterfield Blues Band, Canned Heat, Cream, Detroit w/Mitch Ryder, Bo Diddley, Fleetwood Mac, The Frost, Frut, Genesis, Sir Graves Ghastly, Alan Ginsburg, Golden Earring, Buddy Guy, Abbie Hoffman, John Lee Hooker, Howlin' Wolf, J Geils-who recorded their breakthrough live album Full House at Detroit's Cinderella Ballroom, The James Gang, Elton John, King Crimson, The Kinks, Led Zeppelin, MC5, NRBQ, Pink Floyd, Procol Harum, Shakey Jake, John Sinclair, Sky with future Knack leader Doug Fieger, Sly and the Family Stone, The Stooges, Third Power, T-Rex w/Marc Bolan, Turtles, The Troggs, The Who, Johnny Winter, The Yardbirds.

Kick out the jams indeed.

-toke!