C'mon down and hang for a bit and bat the fat–it could be wacky. It's free.
Where: Third Man Records441 W Canfield St, Detroit, MI 48201
When: Saturday, August 4, 2 p.m.
Kick Out The JamsAnthony Bourdain, CNNThis is it. The last episode of our second season of "Parts Unknown."And I'm glad it's set in Detroit. Because Detroit, for many Americans, is an abstraction -- truly, if incredibly, a part unknown.One only need look at some of our representatives, who, a while back, were actually suggesting it might be OK to let the beleaguered auto industry fend for itself, to leave Detroit to its fate to see how blithely willing much of America would be to point the gun straight at their own heads and pull the trigger.Detroit isn't just a national treasure. It IS America. And wherever you may live, you wouldn't be there -- and wouldn't be who you are in the same way -- without Detroit.
Dig below the surface of Toledo's rich and diverse music history and you'll inevitably uncover vague references to John Lee Hooker recording at Toledo's Sweeney Sound Engineering. While the bluesman's affinity for the Toledo-adjacent Hines Farm blues club is well documented, the link between Hooker and Sweeney Sound is far more tenuous.
Hooker's notoriously cavalier attitude regarding the signing of and adhering to binding contracts makes verification difficult, but Sheldon Brown, son of Detroit Based Fortune Records founder Jack Brown, has long maintained that John Lee Hooker’s first recording session was actually conducted under his father’s supervision at Toledo’s Sweeney Sound Engineering.
The session, which reportedly produced the tracks “Miss Sadie Mae: Curl my Baby's Hair” and “609 Boogie,” went unreleased at the time. Additionally, David A Carson confirms the session in his exhaustive Grit, Noise, and Revolution: The Birth of Detroit Rock 'n' Roll. This is significant as historians have for years generally credited Hooker's late 1948 recording of "Boogie Chillen" at United Sound Systems in Detroit as his first session. These claims instead indicate that Hooker's first session was, in fact, in Toledo.
Information detailing the history of Sweeney Sound Engineering is similarly hazy, a lazy google search turning up a 1950 recording of Fred Harris & his Uptown Band. Ripped from the 1980 release, Vintage Toledo Blues 1950-1980 (TRH Records #8001), Fred Harris--not to be confused with the legendary Canadian TV host of the same name--apparently went on to form Fred Harris' Red Tops who recorded this jam in the studio at Toledo's WTOD radio station in 1957.